I had never seen a Hasselblad before, but I knew about the marque. It was my father who first told me about Hasselblad, before I was even old enough to use a camera, and he spoke of it in hushed, reverential tones. Not everyone is a fan of the waist-level finder which is a standard feature of the Hasselblad medium-format (the inimitable Cartier-Bresson, a lifelong Leica devotee, once said, “If the good Lord had wanted us to take photographs with a 6 by 6, he would have put eyes in our belly.”) But for many photographers, Hasselblad is the Rolls-Royce, the Moët & Chandon of medium-format cameras.
So I asked her if I could look through the viewfinder. She agreed immediately, and extended the camera towards me.
Now my Japanese, while good for asking for directions and ordering at restaurants, is not yet good enough to convey what, to me, the Hasselblad stands for. Still, what I saw at first did not impress me much – the image looked blurred, and the contrast wasn’t great. But then she adjusted the focus ring. The branches which I had been trying to photograph, dark and crisp against the orange sky, swam into focus. The world became a more beautiful place. And at that point, words became unnecessary.



